Poetry

Imposter

The pages of drafts and edits could decorate my walls,

each finished book a paperweight, a door stop,

decoration for the shelves

and hideaway for the mind after a long day.

Above all, evidence.

 

Surely I can’t dispute clear fact?

 

The voice of blank bears down on me,

drawing up every negative:

comments, remarks, comparisons,

the scattered and scribbled notes in my journal,

scratched out because they weren’t good enough.

 

Weren’t good enough. Weren’t good enough.

 

Do I prove it right? Or plug my ears,

gather my notes and map them into sense

just like I did last time?