Kingfisher – Week 40 #52weeksofnaturepoetry (Raising money for RSPB)

Under a tiny bridge

linking the path beside the River Yar

to a nearby copse,

a vision of copper and metallic blue

hovers above the shallows.

Executing a smooth dive,

it re-emerges a blink later,

spraying droplets

back into the current.

Head lifted, it carries its catch

to a secluded stitching of branches.

Almost shyly, this jewel-bird

returns to the bank,

gaze hardly leaving its submerged targets.

Quick preen to set feathers in place,

followed by another dip,

another prize.

An everyday fisherman

doing an everyday job,

but to any spectators,

its skills awaken dormant joy:

a sudden connection with nature –

a sweet, natural high –

so electric

it leaves them applauding

for an encore.

This poem is part of a project I’m doing to raise money for the RSPB, a UK wildlife conservation and protection charity. If you’d like to help, please share this poem to encourage others to take joy in nature, and if you have the time and means to donate, you can do so here. Let’s help keep our wildlife wild!

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Puffarazzi! Week 35 #52weeksofnaturepoetry – raising money for RSPB

Whipped by salt heavy winds,

the photographer pulls their coat collar tight

and crouches low,

becoming landscape;

an unimportant, moss-covered rock

with raw cheeks.

_______________________________________

Camera gripped in restless fingers,

eyes trained on the puffin colony

hard at fishing.

_______________________________________

Snap!

_______________________________________

Lens focused?

Timing right?

_______________________________________

Quick check:

Sizing great, subject clear – but

colourful bill obscured,

clumps of grass

urged into frame by blasts of ice.

_______________________________________

Which unlucky species

did this individual catch?  

What quantity?

_______________________________________

Speculation is fruitless,

mere guesswork never equals

accurate data.

_______________________________________

Back to the trusty tool of trade;

listen, wait.

_______________________________________

Incoming at two o’clock.

Ready for your close-up, eager one?

Steady. Steady. Click shutter…

now.

_______________________________________

Success!

Head perfectly centred,

silver dripping from its bill

in the shape of sand eels;

nutritious prey

for lively chicks.

_______________________________________

Another fine slice of research

ready for analysing.

Citizen science at its finest.

This poem is part of a project I’m doing to raise money for the RSPB, a UK wildlife conservation and protection charity. If you’d like to help, please share this poem to encourage others to take joy in nature, and if you have the time and means to donate, you can do so here. Let’s help keep our wildlife wild!

The subject of this poem was inspired by Project Puffin, a citizen science project organised by the RSPB to gather data on what foods puffins feed their young and how these have changed over time, in order to determine whether lack of food is one of the reasons behind the steep decline in puffin numbers. Click here to find out more.

[Apologies for how these poems are formatted. I do write them in stanzas, but WordPress rarely decides to keep them, no matter how much I argue with it.]

#52weeksofnaturepoetry Week 24 – Sky Dancer

The poem below is part of a project I’m doing to raise money for the RSPB, a UK wildlife conservation and protection charity. Being autistic, nature is often my only place of solace, and I want to do all I can to protect it. As I’m not very comfortable around other people, most of the standard ways of helping out (volunteering, ‘traditional’ fundraisers etc.) were not a good fit for me, so I came up with #52weeksofnaturepoetry, where I have to post a nature poem here on this blog each week for an entire year without fail.

If you’d like to help, please share this poem to encourage others to take joy in nature, and if you have the time and means to donate, you can do so here. Let’s help keep our wildlife wild!

Sky Dancer

Snagging the updraft, she glides high.

No fuss, no theatrics.

Just drive.

Her next meal awaits below, somewhere unseen for the moment.

Not for long.

With due perspective, she’ll pinpoint her catch.

In a quiet spot, she might be able to leap from perch

to extract a tasty morsel,

yet close to ground, disturbances always threaten.          

Other predators, rowdy humans, her own hunters –

the ones who claim she kills their game

as if she is playing as they do

rather than being fuelled by pure survival instinct.

When she rides the air, deep eyes alive,

everything becomes clear.

Nothing can hide.

She’s looking for her main course,

no mere snack this time.

Her mate circles close, nothing yet for him.

His luck is his own.

Her skills deliver: mottled brown fur, a speck to our eyes.

A prize for her.

Talons poised, she bullet-dives.

Faster than an arrow meeting its target, near soundless

and every bit as deadly.

For her prey, that is.

Snatched in a blink, life extinguished by her grip

and several nips from her beak.

Devoured quickly.

Precious energy not easily gained.

#52weeksofnaturepoetry Week 23 – Old Timers

In return for appreciation of its rays, the sun

bestows cloaks on everything it touches.  Swishy

cuts of darkness, lengthening or shortening

depending on the gift giver’s fancy.

But what of those it rarely touches, beings

which get only the sparsest sprinklings of gold, or

are shunned by it altogether, existing within

those cloaked spaces?

Are they ever considered by anyone?

Patches of green everywhere,

ranging from

vast and feathered ferns

to mosses and liverworts

with minute leaves and ruffles,

often wet to the touch and covered in curious

craters and mini umbrellas

rising like antennae.

All of them survivors

making the most

of their surroundings;

reproducing via spores,

not seeds or pups.

They’ve endured for eons, needing to evolve little

compared to many species.

So, exactly how much thought do we give these primitive old timers?

Barely any

unless

they’re messing with the neatness

of our preciously manicured gardens.

This poem is part of a project I’m doing to raise money for the RSPB, a UK wildlife conservation and protection charity. Being autistic, nature is often my only place of solace, and I want to do all I can to protect it. As I’m not very comfortable around other people, most of the standard ways of helping out (volunteering, ‘traditional’ fundraisers etc.) were not a good fit for me, so I came up with #52weeksofnaturepoetry, where I have to post a nature poem here on this blog each week for an entire year without fail.

If you’d like to help, please share this poem to encourage others to take joy in nature, and if you have the time and means to donate, you can do so here. Let’s help keep our wildlife wild!

#52weeksofnaturepoetry Week 22 – Chattering

Some say

trees speak to each other,

whispering pasts and presents our kind cannot comprehend.

These tales were woven as folklore, myth

but

keen minds have been at work

to research, ponder, analyse.

Their findings? Remarkable things.

If a tree is starved, its neighbours sense its desperation

and pass along nutrients to sustain it.

Their network of doing so is a curious one – fungus, they employ.

A phone line

of fungus which latches on to roots

and connects them to others.

In return,

a small percentage of sugar food must be paid.

Typical service charge.

Warnings can be given, too.

Of drought, pests, disease.

With the time

these messages bring, the collective

can change its behaviour.

Each sapling, each grandparent,

altering, slightly, to protect themselves.

In China, a bright green flower –

picked often for its herbal properties –

grew tired of the picking.

Plucked at again and again.

So it bloomed duller, then duller still,

until it matched its surroundings.

Hidden, protected

from eager hands.

Aerial footage, sped up

enough for us to discern the goings on,

shows a forest’s movement.

How each tree sways, branches linking

then parting,

trunks leaning first this way, then that.

Not unlike brain activity,

synapses pulsing with signals,

leaves drifting between.

Watching this slow progression, I wonder

if Tolkien was on to something.

Maybe trees and other plants can talk, but,

like Entish,

the delivery of their words is not

for the impatient.

This poem is part of a project I’m doing to raise money for the RSPB, a UK wildlife conservation and protection charity. Being autistic, nature is often my only place of solace, and I want to do all I can to protect it. As I’m not very comfortable around other people, most of the standard ways of helping out (volunteering, ‘traditional’ fundraisers etc.) were not a good fit for me, so I came up with #52weeksofnaturepoetry, where I have to post a nature poem here on this blog each week for an entire year without fail.

If you’d like to help, please share this poem to encourage others to take joy in nature, and if you have the time and means to donate, you can do so here. Let’s help keep our wildlife wild!

Motes in the Blue

Its eyes peer into the bubbles that are lungs,
watching as they burst and refuse to gasp for air.
The ocean spills from my lips as I summon it, whale song,
to sweep me away from the surface,
the pigment dyeing its hide blue.
Sea mines pulse as it passes by, erupting into jellyfish clocks
that snatch at my heart and chest to shock me awake.Clear.

Smother me in sediment, wrap me in coral,
split my skin with the shadow of sunlight
and let the deep rush in.
Help me dissolve, evolve, return.

Certificate: sea foam.

Expectations of the Homo Sapien has a new cover!

Recently, I was introduced to Canva.com by the Facebook page Books Go Social, and discovered that I could make my own ebook covers either for free, if I didn’t use any images, or at a small fee ($10) if I used an image and wanted it for multiple uses. So, after much deliberation (well, not too much, because I knew it needed to be done) I made a new cover for my novelette, Expectations of the Homo Sapien, a story about a young professor attempting to teach the working classes evolution in Victorian England – a task which doesn’t go too well.

I knew my old cover didn’t really give any hints about what genre the story was in, and though I liked it for its simplicity, it didn’t have any intrigue to it at all:

So I decided to make one with an image and font that gave a sense of the time period. Here’s what I ended up with:

The setting of the image is similar to one detailed in the story, and I like how the model appears to be waiting, or indeed, expecting, something, which I thought worked well with my title. I also love how dark the room is, because even though the story isn’t really dark, it does have its moments.

Anyway, I’m quite pleased with the results and find the new cover much more appealing. The Kindle version is live on Amazon now (though for some reason, when posting links on Facebook, the old cover still shows up in the page preview), and the paperback version should be live in a few days.