#52weeksofnaturepoetry, Poetry

#52weeksofnaturepoetry Week 22 – Chattering

Some say

trees speak to each other,

whispering pasts and presents our kind cannot comprehend.

These tales were woven as folklore, myth

but

keen minds have been at work

to research, ponder, analyse.

Their findings? Remarkable things.

If a tree is starved, its neighbours sense its desperation

and pass along nutrients to sustain it.

Their network of doing so is a curious one – fungus, they employ.

A phone line

of fungus which latches on to roots

and connects them to others.

In return,

a small percentage of sugar food must be paid.

Typical service charge.

Warnings can be given, too.

Of drought, pests, disease.

With the time

these messages bring, the collective

can change its behaviour.

Each sapling, each grandparent,

altering, slightly, to protect themselves.

In China, a bright green flower –

picked often for its herbal properties –

grew tired of the picking.

Plucked at again and again.

So it bloomed duller, then duller still,

until it matched its surroundings.

Hidden, protected

from eager hands.

Aerial footage, sped up

enough for us to discern the goings on,

shows a forest’s movement.

How each tree sways, branches linking

then parting,

trunks leaning first this way, then that.

Not unlike brain activity,

synapses pulsing with signals,

leaves drifting between.

Watching this slow progression, I wonder

if Tolkien was on to something.

Maybe trees and other plants can talk, but,

like Entish,

the delivery of their words is not

for the impatient.

This poem is part of a project I’m doing to raise money for the RSPB, a UK wildlife conservation and protection charity. Being autistic, nature is often my only place of solace, and I want to do all I can to protect it. As I’m not very comfortable around other people, most of the standard ways of helping out (volunteering, ‘traditional’ fundraisers etc.) were not a good fit for me, so I came up with #52weeksofnaturepoetry, where I have to post a nature poem here on this blog each week for an entire year without fail.

If you’d like to help, please share this poem to encourage others to take joy in nature, and if you have the time and means to donate, you can do so here. Let’s help keep our wildlife wild!

Reviews

Review: Three short stories by N C Stow – The Leshy, The Kupala Night, and Voopyre

All of these short stories are based off of Russian folklore, which I’ve never explored before, and as well as introducing me to new concepts and ideas, I learnt a few new words too:

Izba – a traditional log house of rural Russia, with an unheated entrance room and a single living /sleeping room heated by a clay or brick stove.

Pech – a large stove used not only to cook with, but also to heat the izba. They normally have a nook (the small space between wall and stove) where small children can sleep to stay warm.

Although these terms aren’t explained in detail, you get the idea of what they are quite quickly from their usage, so it doesn’t interrupt the story flow in any way.

Now let’s get to the actual review (before I get distracted and end up running away with the fairies). I’ll start with The Leshy, which is the first one I read and I believe the first one to be published. This story was very poetically written, with beautiful imagery and strong characters, despite its length. Without giving away too many spoilers, the plot focuses on the onset of Winter, a spirit. Winter kills the Leshy, a tree spirit, and Mavka, a young girl, wakes up having seen this happen in her dream. She the ends up being summoned by Winter herself, a summons that she can’t refuse.

I felt there were a lot of whimsical, magical touches to this piece that reminded me a lot of more well-known fairytales, but this story had the edge in that it stayed with me for a long time after I’d finished reading it.

I read The Kupala Night next, and as with The Leshy, spirits/gods played a large part in the story. This time, however, the focus was on Night looking for his true wife, Day. Kupala refers to a night of traditional celebratory dances, of which there are six. However, Varvara, a girl who has just come of age to go to the Kupala games, is warned by her grandmother (or ‘Baba’) not to stay for the seventh dance, which confuses Varvara because there isn’t one…at least not one that she knew of.

This wasn’t written as poetically as The Leshy, but there was still a lot of strong imagery and a soft touch of romance, too, plus a nice twist at the end.

Voopyre is the newest of these three stories, and though I did enjoy it, something about it just didn’t click as strongly with me as the other two. I can’t fault the writing, it’s just as good as The Leshy and The Kupala Night, but there’s still something that didn’t gel. Then again, I was very tired when I read it and I did get interrupted quite a bit…

Anyway, in Voopyre the story focuses on Zverovoy, the beast master/spirit as he takes an interest in a girl who walks through his forest. But he can’t get to her, so he calls upon the Voopyre, a creature that can tear apart the Kerchief of the world, to do just that. Zverovoy knows that to save her friends, the girl will need to call on him to find the Voopyre to replace the torn part of Kerchief, and thus he will see her again.

It was interesting and the idea that “‘Earth is a headscarf, and we are the thread'” really gripped my imagination, as did many other parts of this story. So, even though it wasn’t my favourite of the three (my favourite is The Leshy, because it’s just so beautiful both in how it’s written and what it’s about) it’s still worth a read.

They all are, in fact.