Wings in a Wounded Sky – new middle-grade novel cover reveal!

Hi everyone, just a quick post about my upcoming middle grade fantasy novel, Wings in a Wounded Sky.

The book is in the final stages of production, and will likely be out by the end of this month (my publisher tends not to have rigid release dates, so sometimes it’s a bit of a guessing game). As such – and since I’m really excited to share it – I thought I’d reveal the book’s glorious cover:

Here’s the draft blurb, to give you an idea of what the book’s about:

While orphaned Ogg, Rae, dreams of being able to socialise with humans, she doesn’t expect to be welcomed into the home of two complete strangers. When she learns they’re from another land and have no idea that humans are supposed to fear and hate Oggs, she begins to settle down and count them as family.

But when the mysterious phenomena that brought them there – great gashes in the sky that cause dramatic shifts within Culmina’s landscape – suddenly get more frequent, the situation soon threatens Rae’s new-found way of life. Discovering that the cause is the war between the Fae and the Dragon-people, who live on floating cities high above the clouds, she vows to put an end to it to save those she loves.

However, to do so, she must team up with the sassy ninth princess of the dragon-people, the down-trodden third prince of the Fae, and Max, a fellow orphan and hot-air balloon enthusiast. When prejudice runs high, she has to fight to make them co-operate, and time is running out. 

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Querying — why I’m now nervous about it

I’m no stranger to querying literary agents — I’ve been in the ‘query trenches’ on and off for nearly six years now, I think.

It started with naive, three line query letters that told agents hardly anything about the book, sent to one agent at a time. And I’d wait, and wait, and wait before sending off again because I hadn’t paid close enough attention to the agency’s submission guidelines — which not only stated it was fine to query multiple agents at one time (at other agencies) but also that if I didn’t hear back within the stated time, I should consider it a pass. Sometimes I did get responses, polite rejections that it never occured to me were simple form responses.

I wasn’t too upset, because I had other books to work on. And the more I worked and improved my craft, the more my desire to one day see them in print grew from dream to goal. Quite suddenly, it seemed, I realised no agent would take me seriously unless I was serious. Partnering with a literary agent is a business partnership much like any other. Sure, they love books and want authors to succeed, but they’re not there to babysit. So I researched the querying process as much as I could. Through books, Youtube channels, agency websites, talks by agents at literary festivals and many other resources. And I’m still doing it.

Now, I’ve queried at least seven different manuscripts over the years, and my query packages (letter, synopsis, writing sample [usually the book’s first 3 chapters]) have gotten better over the years, as have the responses. I’ve had a few full manuscript requests on some, and most recently, I got a revise and resubmit. And though they eventually resulted in passes, I feel that I’ve upped my game enough that getting an agent is definitely achievable. Unfortunately, there’s a lot of other querying authors who have put in just as much work as I have, with every bit as much drive. So the competition is very real.

Which is why, having polished one of my most recent projects and prepared my query letter and synopsis ready for submitting, I’m more nervous about it than before. I have huge faith in this book — not only do I love the characters and story, but it’s my first ownvoices (I know I mentioned some of my characters in previous books are autistic, but this is the first that outright states it and is set in the real world). I’ve also been very strict with myself not to send it out too early, which has been one of my biggest mistakes with previous books. Usually, I’m too eager to get them out there without taking the proper time over them, so they’re rejected on things easily fixable.

I’m not convinced there’s really a point to this ramble, other than to express my jitters. But I’ll end by saying going the traditional route in publishing takes a lot of time and drive. Each rejection hurts, some more than others, and have kick-started bouts of depression. But I’ve seen other authors achieve the things I want to, so I’m not giving up. And I think that’s the key to breaking into this industry: the people who do keep pushing, no matter what.

Getting into a new WIP

It’s been difficult choosing what project to do at the moment with all the changes in place. Change is hard for me in general: I like to stick to my routines because I know what I’m doing, and if something happens that means I have to alter them even slightly, it can leave my brain completely unfocused for the rest of the day.

That’s why I decided to leave one project for a later time and try something easier. My original project was a YA speculative fiction with many threads weaved into the narrative that I’d have to keep track of, which I knew would drain my energy too much, so after moving away from it I went into full pantser mode (if you don’t know, a pantser is a writer who does little plotting before writing the first draft, so makes things up as they go along, and it’s my preferable way to write) and pulled together several ideas I had written on a sticky note.

I’m now just under 20,000 words into this new work in progress, and as it’s a middle grade book, that equates to  near the half-way mark, and I’m enjoying it. I know there’ll be lots of fixes to make to the beginning when I return to it after it’s finished, but that’s all part of the process. I’m only setting myself the goal of writing 500 words a day as I am having a hard time concentrating, as a lot of people are at the moment, but though it seems like it’ll take forever, I keep reminding myself that I’m not in a rush. I want to enjoy the process and get lost in it as much as when I’m reading a story, so a little bit at a time is plenty. Plus, when I get carried away and write more than that, it feels like a real achievement.

The main thing is that I’m enjoying all the turns it’s taking and how the characters are developing. So I’m sticking to the goal I always have when I write, and that’s to write what I want to read.

I hope telling you this gives you some comfort if you’re also getting stuck with a creative project. Many creatives are having the same difficulties, so you’re not alone. Do what you can, not how much you think you should be doing.

 

P.S the audiobook for my short story collection, When The Bard Came Visiting, is now available. Get it here.

 

Flight Anthology Cover Reveal!

I don’t think I mentioned this in any previous blogs, but one of my short stories was selected by Elephant’s Bookshelf Press to be in their upcoming ‘Flight’ anthology, which will feature a multitude of authors from various parts of the globe.

Elephant’s Bookshelf Press has been publishing great books and anthologies since 2012, and I believe Flight will be its fourteenth book (or thereabouts – don’t quote me on that). They’re a small but enthusiastic team that love getting new and established authors onboard, and from my personal experience, they’re a joy to work with.

Flight is currently scheduled for release in mid-November, and I’m very happy to be able to share its fantastic cover with you:

Look out for updates, as I’ll be posting order links as soon as they’re ready!

A note on rejection

Every writer gets rejected at some point. Whether it’s by peers or beta readers, agents or publishers, it’s always going to happen no matter how good your writing is or how many times you’ve meticulously edited your manuscript.

When I was teaching a workshop at a school the other day, one of the students asked me if I’ve ever been rejected. When I said yes, and that I’ve been rejected around a hundred times for each different project I’ve worked on, she and the rest of the class were pretty shocked. And as it wasn’t something I’ve really thought about that cumulatively, I was surprised too.

I then told the class what I always say about rejection: it doesn’t matter how many “no”s you get, as all it takes to change things is a single “yes”.

Which is true for all of my published works. But I think it’s important to note that sometimes those “no”s are worth listening to, not to make you give up on a project, but to take another look at it to see if it needs to be revised. Now, if you’ve already spent a long time trying to perfect your manuscript, this is hard advice to follow. I’m no exception, it takes a lot of willpower for me to revisit something that I’ve already poured so much time and energy into. I hate it, and I put it off as long as I can. Especially when all the rejections I’ve received have been form rejections or complete silence, as I don’t know where the problem is.

However, the one thing about those kind of rejections is that for me, I think they hurt less. Whereas a rejection with feedback included is like a punch to the stomach that doesn’t disappear for days. I had one such rejection last week, and I’m still not fully over it. The feedback was quite specific, and left me wondering whether to implement it or not, a question to which I still don’t have an answer.

Luckily (or unluckily, depending on your point of view) the manuscript was actually one I sent out when I knew it wasn’t really ready, but wanted to see if the idea might catch some attention, so I’m actually in the process of revising it anyway. One thing that rejection made me realise is that the manuscript is more plot driven than character driven, which isn’t necessarily a bad thing, but it does mean that I might have to do some more research to make sure that when I do send it out properly, I’m sending it to people who enjoy that style of storytelling — if I choose to keep that side of the book as it is. That’s not to say I’ll be neglecting my characters, either. Far from it, in fact.

Anyway, there’s no real moral to this post (other than don’t send your manuscript out early like I just did!). I think I just wanted to share some of my rejection experience, so that anyone else in the query trenches knows they’re not alone.

My first author visit at a school

This may be a brief post as I’m so worn out I can barely stay awake, as my energy was taken up entirely by the day – and by the absurd levels of anxiety I’ve had for the past few weeks leading up to today – but it was a great experience and so I wanted to share a bit about it.

So, in partnership with the Isle of Wight Literary Festival Story Festival, which will take place in February 2020, I was invited to go into two schools and visit years 4-6. Lots of other children’s authors were invited to do the same, both local and from the mainland, and everyone I spoke to about it was very excited.

I was too, but as my anxiety runs riot with anything new that’s going on, and knowing my energy often gets spent very quickly when around people, I was terrified. To help ease some of that terror, I ended up scripting out what I wanted to do (even my introduction of who I am) and rehearsing it in my living room a few times until I was fairly confident that I wouldn’t forget any of the major points I wanted to make. I also made sure I had a copy of said script with me in case I lost my train of thought or my words decided to cease up.

I was very pleased with myself when neither of those actually happened, and I didn’t have to refer to my script once. And though I was nervous at the start of every class (I met with a total of five classes), as I got into what I was saying and my reading, my confidence came back. I also taught a mini workshop on where to get story ideas and how to progress them, and I was blown away by the level of creativity the students had, along with their enthusiasm.

I had a lot of fun, and the day really enforced the reason for why I write –  to share my stories and inspire people as other authors have inspired me.

Now, I may not be able to leave the house for a few days while I recover, but I have to say that all that anxiety and uncertainty was worth it, and I hope I get the chance to do it again next year.

Imposter

The pages of drafts and edits could decorate my walls,

each finished book a paperweight, a door stop,

decoration for the shelves

and hideaway for the mind after a long day.

Above all, evidence.

 

Surely I can’t dispute clear fact?

 

The voice of blank bears down on me,

drawing up every negative:

comments, remarks, comparisons,

the scattered and scribbled notes in my journal,

scratched out because they weren’t good enough.

 

Weren’t good enough. Weren’t good enough.

 

Do I prove it right? Or plug my ears,

gather my notes and map them into sense

just like I did last time?

Backup data

I hear it gurgling into the drain,

ink spilling from paper. Blood.

The paper so wetted it disintegrates.

But the idea is caught

in the pigment staining your hands.

 

Unofficial Detective’s 2nd book birthday!

If you follow me on Facebook or Twitter, then you probably already know this, but Unofficial Detective, the first book in my Half-Wizard Thordric trilogy, has been out for two years today. And looking back, things have been a little crazy since then.

These past two years have been full of personal struggles, but one thing that’s been a constant throughout, despite lack of time, depression and overall burnout, has been my writing.

[Side note: I’ve written at least one book every year since 2011, and though I had so many manuscripts, I only found my first publisher in 2017.]

Since Unofficial Detective has been out, nearly every book I wrote before then has either been released or is currently under contract for release next year. And the books I’ve written since its release (3 novels, 3 picture book manuscripts, 3 poetry collections – including A Book For Pandora, which came out in February this year) are either awaiting editing/being edited or on submission. Add that to the fact I blog every day at the moment, and even I have to admit it’s a lot of work.

Now, I often forget the sheer amount of effort I’ve put into a project as soon as I move onto the next, and as my focus is usually on what I’m currently working on, it’s been a long time since I’ve looked back and appreciated how far I’ve come. But today I stopped to think about it, and it left me both overwhelmed and immensely proud.

Being a writer has been my dream since I was a little girl, and while it’s true I earn very little from it – for me, earning money from writing has never been the point – I can genuinely say I’ve achieved my dream and will continue living it.

So, I think the note I want to end with is that for any aspiring writers out there wondering if getting published really is attainable, just stick with it. Yes, it probably will be hard and you will feel like quitting completely at some points, but if it’s what you really want, then no one can stop you. And that remains true regardless of whether you’re looking into traditional publishing or self publishing.

Lastly, a list of all my published works to date:

Half-Wizard Thordric trilogy

Unofficial Detective

Accidental Archaeologist

Unseasoned Adventurer

 

Stand alone books

The Door Between Worlds

The Origin Stone

 

Poetry

A Book For Pandora

Poem from snatched lines of a book

So much for the outer defences. Suppose he hadn’t failed. Tried to hint at some of the reasons for the fact in its naked reality? They went together unanimously though shyly, without the need for explanations. Swans like to rest in this position. He got up quickly, but it seemed to him slowly, and went behind the other side of the tree.  The white flakes of wood lay all about him. He was one of those people who would never be a follower or a leader, but only an aspiring heart, impatient in the failing body which imprisoned it.

 

(Lines were taken from random pages in The Sword in the Stone by T. H. White)