The earth talks to me.
The vibrations spur my feet on,
coaxing me to see with my body,
not just my eyes.
How much I miss by looking,
how much I see when my eyelids are shut.
writer, book reviewer, daydreamer
The earth talks to me.
The vibrations spur my feet on,
coaxing me to see with my body,
not just my eyes.
How much I miss by looking,
how much I see when my eyelids are shut.
Arms that wrap, tight, safe
fingers holding firm on shoulders.
Massaging tired body, mind
release from the daily hounding.
Even if it’s just for a moment, less than a minute,
a second snatched in a silent room,
a quiet corner free from the hungry
crowd of nattering, gossiping, whispering
eyes that see much
yet nothing at all.
A hug
they think.
A promise
we say.
So you want to know
what your closed eyes are missing?
Take my hand and I shall show you.
I’ll take you down to the stream
and let you dip your fingers in the cool water,
let you feel how the rocks break and curl the flow
and how the small fish
shy from your wake.
I’ll take you up hills and obscure paths,
hold your arms out wide
so you can be swept away by the wind
to fall easily among the long grasses and fallen catkins
that cheekily kiss your skin.
I’ll take you to forests where the rain has just eased
and the scent of wet earth and crisp leaves
rises to meet you with every stride,
while the birds flit overhead deep in song
and squirrels scamper up trees,
only to chitter angrily when you stray too close.
And after all that,
I’ll draw your hands to my face as I smile,
so you can feel each muscle lift, each crease of my eyes deepen
and feel the heat rise to my cheeks
as you finally blink awake
and look at me fully, gaze locked with mine.
Eyes on a stranger’s face. Even blind
they can frame a person’s thoughts – windows in and out
are still windows if they’re glazed or frosted.
Seeing isn’t the only thing they can do.
Looking directly might hurt, like the sun. It’s okay
if you feel that way, distance and focus points help.
They might wash over you; a gentle wave on the coast.
More often than not, they will judge you, even if it’s unintentional.
Society might as well have us drink poison for all the filth we’re fed.
We can dress them up, paint them pretty colours
or frame them like precious art.
We can ignore them if they linger too long.
We can learn their greeting, learn their reluctance,
learn that everything and nothing might be hidden behind them.
I’ve got eyes on my hands and they’re watching you.
They’re watching you even when I’m not.
I can’t stand to, you broke me.
Buried me under rags made to look like fine silk,
curse words uttered so sweetly they might be compliments,
palms to my cheek masquerading as gentle caresses.
I can see that change in your eyes
even when I don’t care to look.
Notice your posture straighten, lips purse.
I can look away, but the eyes on my hands
stay focused, recording your every move.
Frequency; time, date. Evidence.
The oil paint stains his fingers.
Thick, congealed blood
two different shades of green.
One
for the tree,
one
for the reflection of the tree
on the wavering lake. Just
where that photograph of me
was taken.
It’s too dark to see me now,
but if you felt
around the pine needles,
you’d find cool metal coins,
two of them,
which I’d promised
to balance on my eyelids.
Naturalist and multi-award winning author
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